Sound Art and the Transborder Digital Memorial: Luz María Sánchez’ “2487” at the Riverside Art Museum
September 19th, 2012
In conjunction with the Riverside Art Museum’s exhibition You Are Breathing in It: Alternative Art Practices (YABII), Luz María Sánchez’ 2487, a stereo installation from an 8-channel sound piece, is currently on exhibit in the RAM Alcove Hallway. The sound art installation was curated by Carolyn Schutten, a PhD student in public history from UCR, who took part in the Riverside Art Museum Student Curatorial Council (RAMSCC) pilot program.
2487 speaks the names of the two thousand four hundred eighty seven people who died crossing the U.S./Mexico border . The work employs digital technology and sound as a means for transborder memorialization and protest, imposing the absence of those lost into the public sphere. Sánchez’ immersive sound environment remaps social history as the names of the deceased fly across the border through soundscape and digital media. Drawing from data acquired from activist websites, Sánchez created a sound map of names which she recorded digitally. Her final score, along with the database, has been exhibited widely but lives permanently on the world wide web, in commemoration and quiet protest. Sánchez’ work connects the digital and geographic landscape to the listener’s body, gaining entry through sound and transcending political and physical barriers.
Curator Carolyn Schutten will speak about 2487 and the curatorial process, along with the other RAMSCC students, during a panel discussion on September 21 at 6:00 pm. To RSVP please call 951-684-7111 or e-mail Exhibit Liaison Kathryn Poindexter at: email@example.com.
2487 will be on exhibit from August 9 – September 26, 2012 in the Riverside Art Museum Alcove Hall. YABII will close on September 22, 2012.
For more information on Sánchez sound project, visit: www.diaspora2487.org
Luz María Sánchez’ 2487 was originally commissioned by Artpace San Antonio as part of the International Artist-in-Residence program New Works: 06.2, curated by Yuko Hasegawa, Chief Curator, Museum of Contemporary Art, Tokyo, Japan.